What is a Martial Art?

When someone asks me "what is a martial art?" I generally wax on about the spiritual benefits of a sustained discipline aimed at excellence:  kung fu. But in this post I want to talk specifically about the practical, self-defense element. This is a very small part of why anyone should pursue a martial art---the health and spiritual gains are far, far more important. But I do think that it is useful to think about self-defense, primarily because it is a way of understanding a little more about what life is all about. If nothing else, I'd like to try and "push back" against some of the silly notions I routinely hear expressed.

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The first thing people should get rid of is the notion that self-defense oriented schools of martial arts should be about training people to become all-powerful super ninja soldiers. (Or at least, Mixed Martial Arts (MMA) champions.) This is nonsense. The real background of martial arts for self-defense is about giving weak, relatively soft, moderately wealthy people an "edge" in confrontations with lower class ruffians.

Consider the following scenario. An 18th century fop bumps into a street thug while brothel crawling in England. The thug is a lot tougher and stronger than the fop, and he carries a strong oak cudgel. All the fop has is a small-sword that looks like a toy---plus the fencing lessons his wealthy dad insisted that he take when he was a teen. The thug assumes that his greater strength and experience brawling, plus the longer reach of the cudgel gives him an edge. And it might, if he had ever taken the lessons that the fop has. 

An 18th Century Small Sword of the Sort that Fops wore

But he hasn't. He tries to hit the fop, over-extends, and the fop curls around him, moves in close, and drives his small sword into his heart, killing him. The fop used terrible technique, and if the thug had ever practiced against someone using this move, it would never have worked. But the move is totally new to the thug, and he will never have a chance to learn how to counteract it because he is dead. The fop now vomits into the gutter, runs home, changes his clothes, and tries to sleep. The next day he hires the fencing master to learn new lessons and also to teach his son---whom he now absolutely insists on taking these lessons seriously. Moreover, in conversations with friends and family, he convinces a couple others to also hire the fencing master too.

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(I suppose I should put a disclaimer in here. Some people automatically think "Eastern" when the phrase "martial arts" comes up. This is nonsense. Europe and other parts of the world all have martial arts traditions of one sort or another. Sword fighting is sword fighting, stick fighting is stick fighting, etc, and once they advance beyond mere thrashing around, intense competition will create cultural systems that fine tune people's abilities to a very fine level. That's what a martial art is, whether it's fencing, boxing, or, taijiquan.)

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The thing to understand about this situation is that fights are often games of "rock, paper, scissors". People talk about about winning fights as being a question of being better than the other guy. But the real way to win a fight is to pit your strengths against the other guy's weakness. In the case of the fop versus the thug, the fop had two strengths that he could pit against the thug's weaknesses. The thug was poor, so he had never been able to train with a fancy fencing coach. Moreover, he was uneducated and low class, so he'd never actually seen how fencing works or been exposed to its theory (like I'm explaining in this blog post.) The fop, on the other hand, was well aware of the fact that he was nowhere near as strong as the thug---and that in an equal, "fair" fight he was doomed. So he played rock to the thug's scissors, or, he played his strengths against the thug's weakness.

In the above clip Butch Cassidy isn't playing any specific fighting skill against the thug's inherent strength and supposed superior knife-fighting skill. But he was playing superior tactical skill against the thug. He first gained the support of the on-lookers by asking about rules and got the thug to accept the lack of them. This means that if he bested the thug he would have settled the larger political issue (ie: "who's the boss of the gang?") and wouldn't have to return to the issue because people carped that "you didn't fight fair". Then, he used a superior knowledge of what chess and martial arts call "tempo" in order to get the first punch in, which created a position of superiority and never allowed the thug to recover from it.

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Now I use the terms "soft" and "rich" above in a very limited sense. I don't mean that it is a good thing in the martial arts to be "soft" (in the sense of being physically weak.) Nor do I suggest that only the super rich could learn them either. But I am saying that martial arts are very useful for people who aren't really strong to begin with---even though strength does help you if you want to get good at martial arts. And wealth is only an issue up to the point where you are wealthy enough to be able to pay for lessons and have enough leisure to practice. Really poor people---no matter how strong---often simply don't have the time to be able to practice, even if they could find someone to teach them. 

The sort of guys who taught me taijiquan---Daoshi---and Shaolin monks are not, strictly speaking "soft", "wealthy" people. But they aren't hardened, poverty-stricken peasants, either. They specifically had educational opportunities and leisure time that allowed them to learn things that peasants would never have learned. Of course, not all Buddhist monks or Daoshi learn martial arts, but enough of them did in old China that ruffians would probably think twice before they attacked them. (Their general poverty also made them somewhat not worth the effort, which was probably more important.)

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Years ago I used to write lots of free copy for very profitable newspapers in the belief that it was just enough to see my words in print. I know realize that I was doing a disservice to the reporters who were working hard to dig up news. I still write mostly for free, but now I usually put a note in the text reminding people that we really do need to come up with a mechanism for rewarding "creatives" for the work they do. I get a few dollars now and then, pretty much all of which ends up being spent to support other creatives that I support. And I don't mind if people who cannot afford to help out read for free. But if you do have extra money jingling in your pocket, think about making a donation or buying a book.  

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Another issue that I should probably deal with comes from the relationship between the martial arts and the military. In modern times hand-to-hand fighting is pretty much irrelevant for most soldiers. Modern weapons ensure that most battles are settled long before people get close enough to throw a punch. You cannot dodge or deflect a bullet, bomb or IED.

Having said that, many people believe that ancient battles were different. If you watch a lot of movies you would be excused for thinking that a battle simply involved a lot of people fighting one-on-one from one side to another. Surely martial arts would help with that? Not really. From ancient to modern times soldiers didn't fight one-on-one, but rather as units. One popular drama that does understand this point to some extent is "Game of Thrones". (I've never seen it, but I have heard others talk about this on YouTube.) Take a look at this video that explains something called the "battle of the bastards". 

You can have all the grooviest martial moves in the planet, but if your general orders you into a cauldron and then the other guy shoots huge numbers of arrows at you, you are going to die. And, if you get stuck in the middle of a bunch of guys with big shields, heavy armor, and, spears, and you have none of these things, you are toast too. Moreover, if in the middle of all this insanity a bunch of heavy cavalry show up from nowhere and attack you in the rear while you are busy slaughtering their friends---you are toast too. (Not to mention if you manage to get into a castle and a giant arrives to smash in the doors.)

This "fantasy" tv show is probably the most accurate vision of ancient battle that I have ever seen anywhere, and it clearly illustrates that soldiers are not martial artists. Instead, they are just cogs in a giant machine who have almost no control at all about whether they live or die. All they can do is what they are told and hope for the best. So let's just discard the idea that soldiers have anything at all to do with martial arts.

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In terms of taijiquan---the martial art I know a little about---the "strength" that a person with some training brings to a fight is the insight that being relaxed can be a good defense against some attacks. There is also the point that if you get in close to someone a lot of strikes (punches and kicks) become harder to land. And, if you know a little bit about how to lock someone's joints and where the balance points in the body are, you can move around people that might even be a lot stronger than you. If the other guy has never come across anyone who knows about these things, it might give you a momentary advantage in a fight---just like the fop with his small sword. Obviously, the more and better you train in these techniques, the better you will be. But you don't have to be "Yang the Invincible" to get value from the art, simply because the person you get into a fight with is probably not going to be terribly good at fighting either. 

More importantly, by thinking about the Dao and the subtle ways in which the world operates, you will gain greater insight into all the different ways in which delusion colours and distorts our understanding of the world around us---including self-defense. This will help you in ways that go far beyond the outside chance of meeting someone in a dark alley who wishes to do you harm. (More likely, it will keep you out of that dark alley in the first place.)